Means of Controlling Light

Means of Controlling Light
okay I will post about controlling the means of lighting the lamp in
Means of controlling the lights in essence there are four important things, namely1. intensityTo control the light from light to dark or dark to light is usually used a device called a dimmer. With this tool, each unit diapsang lights on stage can be controlled from full lighting, slowly receding, to death at all, and vice versa. Which determines the intensity of the stage lights also powers other than dimmer lights (watt) and the dimensions of the lamp housing.A stylist can adjust the intensity of light required for the highest individual stage desired area lighting. Each and TIPA dimmer channels can be used to give balance cahay intensity from each source. Ideally it is expected that skeneri (atmosphere gestures on stage) every scene can be generated from each lighting source. The next scene may be composed of different lighting arrangement results in intensity although it is often used in the same channel dimmer.
 2. colorColor is also an important role as a means of controlling the intensity of light. In the advanced technologies that have long used the intensity of the electric light as a light main stage, in the XV century not only distinguish light intensity between comedy and tragedy, but also distinguish light wana order. Warm colors used for komdei light, while cool colors are used to light the tragedy. The conception of the color so it's still in general and is still widely used until the present, but also a lot of light colors surprises cleverly created the challenge.Use light colors on the stage is very attractive because of its unique properties. On the one hand, it has properties measuring objective therefore is certain, for example, the light source, the power of the lamp, the lamp housing, or filter media (filter) the color, everything is uncertain. But the highlight color when the light bounces off the object or the cast of the hit highlight, reflected color to the eyes of the audience that could change.On the other hand, the subjective nature of color have or have psychological factors as the willingness of the director is more interested in the reflection of the colors of the actors in the eyes of the audience. Thus, the necessary skills for an individual to process the lighting objketif factors and subjective. Not only required in-depth knowledge, but also mature experience to get the best results.
 3. distributionDistribution is the density, distribution, and direction of light. This would correspond well with the extent of the amount of light, the extent of the number of types of lighting fixtures, and the placement of the light position. Quality of especially light distribution provided by each type of equipment (special light bulbs or light bulbs general), the size of the light is determined by the use of dimmers, sharp or soft line is determined by the angle of light coming of light into the target, and so forth. Each of these tools depends on its type form different lighting effects. The locus of the lights were directed by kemamuan the lighting based on the plot of light (light plot). Bright light is directed to it, the light dim in point here, and so are all geared toward a target and arranged compositions platis and visual effect.There are three light distribution control devices are interconnected, ie1. general lighting control device that produces light scatter2. controlling device that has a special lamp light mengempal, and3. control devices that are in range of colors of light that highlighted the same object surface.Facts prove that skeneri, costumes, equipment, and even the makeup of the cast has the ability to absorb various hand and reflect light bulbs that need to be considered. It is very important to be taken into account in the distribution of light in a peemntasan. Even an actor who moves onstage merubahj light distribution can be calculated if not before. This is caused by the entire body, costumes, and equipment brought aadalah reflective as part of another set.
 4. movementMovement, namely changes in one or more of the quality of light. Light movement can occur because of several things:1. The movement is deliberately light-driven stage crew (manual) to follow the movements of actors (usually called the follow spot).2. Movement lights set mechanically (widely used disco lights).3. Movement bristling light (dim down) and menerang (dim up), the trend setting movement dimmer lights through tools that handle only be possible through stem mechanical or electrical devices.Only with modern electronic devices, it can be implemented. One operator control lamp (manual) can handle no more than three or four resistance (resistance) or autotransformer found on the hands (handle) dimmer and that too located in adjacent groups. Movement of light when the show is running must be done carefully. If not, feared to be misleading and escape the dramatic values ​​to be achieved.Moreover, the operator who controls the lights with lamps must have a full view of the stage. With demikia, he can coordinate the movements of light or the light changes with his movements. Movement lights will provide the quality of light dynamic range of performances if he follows the patterns of good composition that is based on the value of a sense of poetry, music, visual and performance levels (think theater).